Boosting students' creativity through visual bricolage of experiences
- how visual collage boards help students in expressing their knowledge during online classes
Monika Sońta
Abstract
The objective of this study is to present various practical applications of collage-based methods (visual bricolage) as a way of boosting creative discussions with students and helping them to express their knowledge and experience using visual representation.
This viewpoint paper is based on the experience of twenty classes conducted with the MA program and postgraduate students at Kozminski University between March 2019 and December 2021, when online whiteboards and visual metaphors were used. The method used was participative observation, as the author also acted as the workshop facilitator and the [.] contribution tracking data that is a functionality available on the mural whiteboard (Mural, n.d.).
The explorations during the workshops revealed two elements of online classes: Conceptualization vs Illustration, to determine whether photos and pictures serve as an instrumental illustration in the background of the story, or they are important elements that convey the sense of the students' statements.
Moreover, the paper contains various practical findings that help to facilitate creative educational workshops remotely.
Keywords: online teaching, creativity, creative explorations, creation, visual metaphors
References
- Bandura, A. (1977). Social learning theory. Prentice Hall.
- Bijker, W., Hughes, T. P., & Pinch, T. (Eds.). (2012). The social construction of technological systems: new directions in the sociology and history of technology. The MIT Press.
- Black, M. (1977). More about metaphor. Dialectica, 31(3-4), 431-457. https://doi.org/10.1111/j.1746-8361.1977.tb01296.x
- Black, M. (1955). Metaphor. Proceedings of the Aristotelian Society, 55(1) 273-294. https://doi.org/10.1093/aristotelian/55.1.273
- Bono, E., de. (2015). The mechanism of mind: understand how your mind works to maximize memory and creative potential. Vermil.
- Byrne, R. (2007). The rational imagination: How people create alternatives to reality. MIT Press.
- Chester, A., & Gwynne, G. (1998). Online teaching: Encouraging collaboration through anonymity. Journal of Computer-Mediated Communication, 4(2), JCMC424. https://doi.org/10.1111/j.1083-6101.1998.tb00096.x
- Denzin, N. K., & Lincoln, Y. S. (2011). The SAGE handbook of qualitative research (4th ed.). Sage.
- Dewey, J. (1938). Experience and education. Touchstone.
- English, K. (1998). Understanding science: when metaphors become terms. ASp, 19-22, 151-163. https://doi.org/10.4000/asp.2800
- Farquhar, S., & Fitzpatrick, E. (Eds.). (2019). Innovations in narrative and metaphor. Methodologies and practices. Springer Singapore.
- Gauntlett, D. (2007) Creative explorations: New approaches to identities and audiences. Routledge.
- Gauntlett, D. (2018). Making is connecting: The social power of creativity, from craft and knitting to digital everything (2nd ed.). Polity.
- Gloor, P. A. (2006). Swarm creativity: Competitive advantage through collaborative innovation networks. Oxford University Press.
- Groth, O. & Nitzberg, M. (2018). Solomon's code. Pegasus Books.
- Huck, F. O., Fales, C., & Rahman, Z. (1997). Visual communication. An information theory approach. Springer Science+Business Media, LLC. https://doi.org/10.1007/978-1-4757-2568-1
- John-Steiner, V. (2000). Creative collaborations. Oxford University Press.
- Jung, C. G. (1963). Memories, dreams, reflections. Crown Publishing Group/Random House.
- Kazerounian, K., & Foley, S. (2007). Barriers to creativity in engineering education: A study of instructors and students perceptions. Journal of Mechanical Design, 129(7), 761-768. https://doi.org/10.1115/1.2739569
- Lam, M. (2020). The physicality of music production: Investigating the roles of mindful practice and kinesthetic learning. Music Educators Journal, 106(3), 23-28. https://doi.org/10.1177/0027432119895553
- Lambert, J. (2013). Digital storytelling. Capturing lives, creating community (4th ed.). Routledge.
- Lévi-Strauss, C. (1966). The savage mind (2nd ed.). University of Chicago Press, Weidenfeld and Nicholson.
- Mural. (n.d.). Using the Activity Log and recovering content. Retrieved December 29, 2011 from https://support.mural.co/en/articles/2113839-using-the-activity-log-and-recovering-content
- Netravali, A. N., & Haskell, B. G. (1995). Digital pictures: Representation, compression and standards (Applications of Communications Theory) (2nd ed.). Plenum Press.
- Pasternak, Ch. (Ed.). (2007). What makes us human? Oneworld Publications.
- Perdue, K. (2003). Imagination. https://bit.ly/3aR5mvs https://csmt.uchicago.edu/glossary2004/imagination.htm#:~:text=The%20term%20imagination%20comes%20from,imagination%20as%20a%20private%20sphere
- Resnick, M. (2017). Lifelong Kindergarten: Cultivating creativity through projects, passion, peers, and play. The MIT Press.
- Ricoeur, P. (1991). Word, polysemy, metaphor: Creativity in language. In J. Mario, & Valdés (Eds.), A Ricoeur reader: Reflection and imagination (pp. 64-85). Harvester Wheatsheaf.
- Rogers, M. (2012). Contextualizing theories and practices of Bricolage research. Qualitative Report, 17(48), 1-17. https://doi.org/10.46743/2160-3715/2012.1704
- Sale, D. (2020). Creative teachers: Self-directed learners. Springer (Cognitive Science and Technology). https://doi.org/10.1007/978-981-15-3469-0
- Sońta, M., & Magala, S. (2020). What you create is what you learn. International Journal of Management and Applied Research, 7(3), 293-307. https://doi.org/10.18646/2056.73.20-021
- Xavier, M., & Lhullier, C. (2020). The unconscious in social psychology and psychology: A metaphor for their crises. Athenea Digital, 20(1), e2279. https://doi.org/10.5565/rev/athenea.2279
Add to: Del.icio.us Facebook Wykop Twitter.com Blip.pl Digg.com
AUTHOR |
About the article
DOI: https://doi.org/10.15219/em94.1562
The article is in the printed version on pages 77-86.
How to cite
Sońta, M. (20222). Boosting students' creativity through visual bricolage of experiences - how visual collage boards help students in expressing their knowledge during online classes. e-mentor, 2(94), 77-86. https://doi.org/10.15219/em94.1562
Table of contents